Solo
Of All The Moons
I became acquainted with Marie’s Howe poetry in 2012 when I set her Annunciation as part of a large choral work.
Canyon
The symmetrical form of this suite, a central movement flanked by toccatas and “cadences”, as well as the suite’s symmetrical key-scheme, reminded me of calling into a great chasm and waiting for the echo to come back.
Arches
In its alternation between “caprices” and “arias”, the work moves between the poles of virtuosity and lyricism throughout.
Air
The opening bears a strong Baroque influence, though the simple “short-long” motive in the piano recurs incessantly throughout the movement and may have its roots in the second movement of Ravel’s Gaspard de la Nuit, Le Gibet.
Alternating Current
Alternating Current was commissioned by Young Concert Artists, Inc. for pianist Jeremy Denk and made possible through a generous grant from Ernest Levenstein.
Of All The Moons
I became acquainted with Marie’s Howe poetry in 2012 when I set her Annunciation as part of a large choral work.
Air
The opening bears a strong Baroque influence, though the simple “short-long” motive in the piano recurs incessantly throughout the movement and may have its roots in the second movement of Ravel’s Gaspard de la Nuit, Le Gibet.
Arches
In its alternation between “caprices” and “arias”, the work moves between the poles of virtuosity and lyricism throughout.
Alternating Current
Alternating Current was commissioned by Young Concert Artists, Inc. for pianist Jeremy Denk and made possible through a generous grant from Ernest Levenstein.
