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Network
Network for orchestra (1997)
Commissioned by the California Symphony Orchestra
Premiere: California Symphony Orchestra/Barry Jekowsky, conductor, 1997
Duration 7:00
3.2.2.3. - 4.4.3.1. - 3 perc; pno - str
Though Puts says he has since adopted a more lyrical and Romantic style,
his sparkling, prismatic Network represents the fascination I had while
still a student with minimalist and post- minimalist composers (like
Steve Reich, Phillip Glass, and John Adams) and the great beauty,
freshness, and rhythmic energy of their work. He describes this
six-minute work in more detail:
Network is a short, explosive fanfare that uses a recurring eight-voice
canon of busy sixteenth notes to generate all the music in the piece. It
is as if this network of melodic lines is always happening in the
background, but only pieces of it are actually played at any given
moment by the instruments in the orchestra. As I add sharps or flats to
the canon at various places, the color of the harmony changes and
demands changes in the orchestration, and these harmonic changes and the
variations in orchestral sound that accompany them determine the shape
of the piece. The resulting effect is as though different colored
lights were pulsing and flashing off and on throughout the sections of
the orchestra.
Kevin Puts adds that, though his more recent compositions are often
inspired by external events or by something he has read or heard,
Network wasnt inspired by anything in particular. It is driven by the
pure enjoyment of chords and rhythm and orchestral sounds.
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